YOURZ
I can't remember why I own this collection. I think I bought it at a time when I was maybe trying to make my then collection look a little more intelligent or respectable or something. But it's well worth having, even if only as a reference point for some fine song writing. Notice I said 'song writing' as opposed to 'singing'.
I don't have much time for vocalists who can't really sing. I appreciate Lou Reed (and Bob Dylan, for that matter) as brilliant song writers and innovators who charged the scenes they inhabited with such fervid talent, there was no doubt they were going to be stars. I just wish they could sing properly.
Oh sure, there are some of you (in fact, probably a lot of you) who will think Mine and YourZ (truly) are being particularly picky or maybe even clueless and/or tasteless but at least we're honest. I was brought up on a diet of some of the greatest pop vocalists the world has ever known and, even as a child, couldn't understand why Bob Dylan rated up there with the rest of them when I thought he couldn't sing to save his life. The same goes for Lou Reed.
VERDICT: TURN IT DOWN or, even better, learn to play and sing the songs yourself - they'll probably sound at least as good as Lou Reed's versions
MINE
So after I'd listened to the first half of this I came stalking into the house and demanded of YourZ if he knew any women who've made a stellar and respected career out of music despite not being able to sing all that well. Like Bob Dylan and Lou Reed who spring to mind immediately. His offerings were Grace Jones, Laurie Anderson and Yoko Ono. And I'm sorry, but "Computer says NO" for all three, as none have managed the awe and reverence inspired by Mr Zimmerman or the singer on this album. (Or for part of it, I know, Nico's there too.) So why is that? Why can men who have only a passing acquaintance with a tune manage to carve out long and well-respected careers in the music industry, while girls who are the same get to be behind-the-scenes songwriters (Carole Bayer Sager, I'm looking at you even though I really loved that album, played it to death when I was 16.) Why is that? HUH??????
Listening to the second half of the album, another question popped up ( I originally wrote that as pooped up, snerk). Why is it I can listen quite happily to Lou Reed (most of the time) but Bob Dylan makes me twitch? I did have to push the skip button on Lisa Says (which really sounds uncannily like Bob, now I think of it) but all the others just wandered past my ears and into my brain causing no grimacing at all. In fact, there was significant sing-a-long (particularly for Sweet Jane) and a fair bit of turn it up and bop along.
I remember being terribly into Lou as a try-hard intense teenager. I do have an album on black plastic somewhere and no doubt if I played that I would instantly transport myself into my teen bedroom - burning candles, pop posters etc. This CD was great to listen to, and I want to make sure I listen to it more often from now on.
I remember being terribly into Lou as a try-hard intense teenager. I do have an album on black plastic somewhere and no doubt if I played that I would instantly transport myself into my teen bedroom - burning candles, pop posters etc. This CD was great to listen to, and I want to make sure I listen to it more often from now on.
By the way, when we began this whole bloggy-thing, YourZ suggested we remove all the 'best-of" albums from the batch we point the stick at. I firmly voted him down, as this would have removed lots of music. And to date (YourZ will tell you I love to do the I-told-you-so and I do admit it's a character flaw, but when I'm right, I'm right) (YourZ sez: yeah, yeah, yeah, you're right, I know...) out of the 39 album's we've reviewed - 10 have been best-ofs, including this one.
VERDICT: TURN IT UP
For more information: http://www.rockhall.com/inductee/the-velvet-underground
