Black Sabbath - Paranoid

YOURZ

Heh, this was the shit when I was a lad.  So bad, in fact, I dared not speak the band's name around my conservative Catholic mother.  Status Quo was fine, AC/DC were okay and even KISS got past her.  But I had to rely on friends copies this classic in order to hear it.  

I remember sitting on the front steps of my mate Mick's place after a long summer afternoon, sharing a sneaky cigarette and listening to music on his Dad's quadraphonic system.  This was one of the LPs we'd listen to then and listening now takes me right back there.  

I love that this record still makes me headbang even though I hardly have the long locks of youth to flay around like I used to do.  It is, without a doubt, my favourite type of metal.  And while there have been so many great bands after them and despite Ozzy parading his tragic family in front of television cameras for the world to see, there will only ever be one Black Sabbath. 

VERDICT: TURN IT UP

MINE

So, when I was about 15 or so, there was a group of girls I went to school with and we used to get together every couple of weeks to smoke weed.  We'd meet up at Bernie's place, more often than not, because she used to hold for us (plus we were buying the stuff off her brother) and we'd smoke and eat (her mother was the most amazing baker of pies) and play records.  Mostly her brother's records.  So there was Dark Side of the Moon and Kiss and Sabbath Bloody Sabbath.

Then many years later there was a TV show called The Osbournes which both delighted and horrified me.  And now there's re-listening to Paranoid, which made me realise, he had an amazing voice, didn't he?  But apart from War Pigs (nearly eight minutes, that takes balls for an opening number) and Paranoid, I don't really know this album at all.  And it's not really my kind of thing.  But we need this in out collection.  Gives us gravitas, I think.

VERDICT: TURN IT DOWN

For more information: http://en.wikipedia.org/wiki/Black_Sabbath but there's a bunch of fan sites, too

Jet - Get Born

YOURZ

The deliciously derivative debut from Aussies Jet took the band to the metaphorical heights of the rock industry with tracks Are You Gonna Be My Girl and Rollover DJ.  As an album, it's further proof that the world loves and regularly needs big fat, classic-sounding rock to feed its insatiable, beer-swillling, devil-horns throwing hands-in-the-air needs.

Oh yeah, it sounds like just about any rock and roll outfit of the last 30 or so years.  And they haven't been able to repeat the success of this album.  But so what?  Who gives a fuck?  This is foot-to-the-floor, flatout rock except when it resorts to rock balladry.  But either way, it's well-played, well-polished and absolutely necessary.

VERDICT: TURN IT UP

MINE

A few days ago I was listening to the radio when the announcer was sounding off about Jet's new release - which he said was the same as all their others - ripping off classic rock riffs.  He then played a few songs to prove his point.  I remember thinking at the time - bitter much?  I mean there he is, playing tunes on a Sydney radio station that less than five per cent of the city's population listens to (according to the latest Nielsen survey) and there they are, at the start of a 33-gig national tour supporting Aussie legends Powderfinger.  I know who I'd rather be.

But I'll concede the announcer had a point, after listening to this album all the way through today.  That's something I haven't really done, becasue I put most of it on the gymPod (a Shuffle) when I first got it so I've generally only heard the songs by themselves.

So let's play the game!  Well, you can see just from the album cover this band is screaming "rip-off", as it closely resembles the artwork on the cover of The Beatles' Revolver (reviewed just a few days ago.)  Last Chance is an AC/DC riff, we all know Are You Gonna Be My Girl is Iggy Pop, while I hear some Status Quo on Roll Over DJ.  Look What You've Done is very Beatles, but with a hint of Oasis (made a fool of everyone?) and then Get What You Need moves back to a Quo-ishness.  Move On is somewhere between the Eagles and Neil Young, while Radio Song confused me because I couldn't pin it down.  Get Me Outta Here and Cold Hard Bitch are AC/DC all over, Come Around Again has has a West Coast feel (Henley?) Take It or Leave It is sorta Zeppelin, Lazy Gun is weird because it goes between T Rex and Pink Floyd (who knew that could work in a mash-up?) and then Timothy is definitely Floyd.

Wasn't that fun?  Ah, come on, Jet are everybody's favourite covers band playing their own songs.  Don't you think?

VERDICT: TURN IT UP

For more information: http://www.jettheband.com/

Jo Jo Zep and the Falcons - The Very Best of

YOURZ

Jo Jo Zep, along with a few other Aussie bands, were a big favourite when I was in my last couple of years of high school.  Not favoured enough to buy anything of theirs, mind you (couldn't have my Kiss, Cheap Trick, AC/DC and Cold Chisel friends knowing I also liked them - damn peer group pressure!)  But they were regularly featured on Countdown and other Aussie rock shows at the time and also big hits at local Blue Light Discos.

The thing I liked about them was not only were they writing great, catchy, ska-tinged songs (at least for the first few big singles) but they were quality musicians and part of a larger group of Australian musicians and songwriters who were setting new standards (this does include Chisel, who had the incredilbe songwriting talents of Don Walker).

Tracks like Hit & Run, Shape I'm In and Puppet On A String were not only infectious, but great to dance to as well, back when I did actually shake my tail feather.  These were like our answer to all the great British punk and ska music being made at the time but without the crap clothes and spittle.

VERDICT: TURN IT UP

MINE

I just realised there's yet another way I'm like Lisa Simpson - I love the saxophone (or as her dad would say, the sax-a-ma-phone).  And the sound of Jo Jo Zep and the Falcons is centred around frontman Joe Camilleri's saxophone stylings.  I've seen the band, way back when in Melbourne, maybe even on a double bill with Paul Kelly and the Dots - but my memory of the early 80s is getting a bit sketchy in parts these days.  (YourZ sez: must have been either 80 or 81 as the band were kaput after that).

Listening to the album (which isn't the one pictured but has most of the same songs on it) I just felt, well, 20 again.  The band's sound moves from vaguely 50s doo-wop through a more rockabilly style - and my favourite song, Taxi Mary, has a real Latin beat.

I also loved Camilleri's follow-up band the Black Sorrows and listening to this CD has just made me more hungry for our household to finally bite the bullet and get a real live turntable - so I can listen to the original Zep album I had - Screaming Targets - and to the three or more Black Sorrows albums that are gathering dust.

By the way, I differ from Lisa in that I'm not an 8-year-old yellow vegetarian cartoon character with a brother and sister who likes to play the blues.  Otherwise, we're pretty close.

VERDICT: TURN IT UP

For more information: http://www.joecamilleri.com.au/

The Clash - The Singles

YOURZ

I would love to say, for credibility, I was a fan of The Clash right from the start but the reality is when they first came out, I was more interested in Kiss and Cheap Trick and other bands who were part of the 'establishment' they, and the punk scene in general, often railed against.

But I liked them well enough to buy the Double A side vinyl single for Should I Stay Or Should I Go/Straight To Hell.  (Yes, I still have it and again, no, don't bother asking).  I also remember fondly watching the videos for London Calling and Rock The Casbah.  My reasons for not getting into them more then are many and varied, none of which would have any great interest to you now, dear reader.

It wasn't until some years later when I was working as a volunteer DJ for a community radio station that my appreciation grew into outright love.  If asked now, I would say London Calling is my favourite album of all time.  If our extensive collection were lost tomorrow, the first replacement I would get would be this one as I can't imagine not having it.  The impact of this single (double) album has had on popular music is undeniable.  It's a pinnacle moment in modern music history.  (Just in case you haven't gathered by now, I really do like this album a lot). 

This collection, The Clash - The Singles, is another great starter record for anyone who don't know or are just getting into the band.  Given The Clash were never really a singles band anyway, I personally find the collection lacking but this is a personal observation and no reflection on the quality of the material. No, not at all, no way... 

VERDICT: TURN IT UP and pogo like your knees are still young


MINE:

A lot of my last year of school (*cough* 1980 *cough*) was spent sitting on the floor of my best friend's house, listening to her brother's copy of London Calling and reading all the words on the inside sleeves of those big black plastic things... LPs!  I remember now.  It was a bit of a surprise buy for him, as he'd been a Deep Purple, AC/DC-head up until then.

I also remember playing Rudy Can't Fail over and over and over again when I was trapped in a small country town due to following my first husband through hell AND high water.  It seemed a good soundtrack to the scenes from the Falklands invasion I was watching on TV at the time.

I think we got this CD because we didn't have any Clash on CD, and it's not bad for filling in some of the gaps.  But as we have London Calling and Sandinista there now, the main point of this one is to have Rock the Casbah and Radio Clash in one convenient location.  Both of which have wiggled me around many dance floors in the past, and no doubt will continue to do so into the future.

To my great disappointment, I've never seen the Clash play live, but a few years ago I was lucky enough to see Joe Strummer and the Mescaleros perform.  A moment (but only a moment) of silence, please.

VERDICT: TURN IT UP (smashing guitars entirely optional)

For more information: http://www.theclash.com/

In our collection we also have London Calling, Sandinista, Combat Rock, The Story Of The Clash Vol 1 and Live at Shea Stadium