Beck - Odelay

YOURZ

This diminutive Scientologist, born and bred in LA, has had a huge amount of influence on me as a songwriter and producer.  I've been a big fan ever since his first major label release, Mellow Gold, and his independent releases but if there is one album that defines him, then it is Odelay, winning numerous awards when it was released in 1996, including a Grammy.  It has since consistently appeared on best-of lists right around the world.

Like a lot of music I love, Beck bravely explores the boundaries between genres, breaking through the confining walls of folk, pop, punk, hip hop, country and whatever the heck else to create something brilliantly idiosyncratic, amazing and absolutely essential.

VERDICT: TURN IT UP

MINE

OK, this is better Beck.  Confirmed readers will know I wasn't impressed with the album the pointy stick selected of the (seemingly hundreds) of Beck albums YourZ owns.  This one is much, much better.  I like it.  Um.

OK, so I don't have much more to say about it.  Which seems a bit silly, given that I've had to wait about 24 hours to do this review, because I wasn't feeling very well.  But after about 12 hours' sleep, I'm still no closer to imparting any words of wisdom.

Guess I'll just have to say sorry for the delay on Odelay.  Thank you, thank you.  I'll be here all week.

VERDICT: TURN IT UP

For more information go to http://www.beck.com/

Turin Brakes - The Optimist LP

MINE

Sometimes my husband and I differ on things.  No, really!  And one of these things is kind of good for me, but it also annoys me.  You see, while to most people my music collection (before YourZ) seemed wide and varied, his was and is truly huge.  A large part of that is because... how do I put this nicely... he sometimes has a bit of a short attention span.

Which means sometimes he doesn't want to play the old faithful numbers.  There's this new band or artist he's bought, and he knows I'll really love it, and the annoying thing is he's usually right, but then sometimes I think he just doesn't get the fact that some days I want to listen to the album I know I'm going to love.

Which is The Optimist.  Top to tail, beginning to end, beautiful, layered, brilliantly produced, those edgy yet sweet voices, this album is one our collection will never be without.  It's the album I want to play on this first night we move into our new home, up on a hill in a tropical town in Queensland, looking out over the dark and lush vegetation with the lights twinkling in the distance.  It's yet another album I have to thank YourZ for... and for that reason I can never be too annoyed with him when he wants me to listen to something new.

VERDICT: TURN IT UP

YOURZ

This is one of Mine's choices but if she hadn't chosen it, I would have (in fact, I deliberately left it from my five because I knew she would end up picking it).  (Mine says: well aren't you the clever clogs then!)  I don't have any fancy story about how I came to hear Turin Brakes.  But every so often, a piece of music comes into your life that is so clearly meant for you, it is a wonder it isn't simply gift-wrapped with your name on it.  Turin Brakes, for me, is one such band.

Some years ago now, musical friends and I would regularly gather in the back room of a house I shared with an ex-girlfriend (hi Maz).  This room was off the kitchen, so close to all the things a bunch of musicians would need: a kettle, coffee and tea fixings and a fridge for alcohol.  We'd start with rounds of coffee and cigarettes, warming up our fingers on tunes we all knew.  I'd set up a few microphones and maybe get the recording equipment ready to make a rough of the proceedings.  We'd move on to beer or vodka as the day wore one, getting looser and louder and having a ball.   

Lots of music inspired us then.  Some of the names you'd recognise (David Bowie, Beck, Jeff Buckley, Led Zeppelin) and some were new to most of us.  Turin Brakes, and The Optimist LP particularly, were one such band.  Their acoustic-driven, harmony-laden tracks had us singing along at the tops of our voices, long after we'd put down our instruments and started on the second case of beer.  And while we never went much further than that room, we were the best band in the world for a little while there.

VERDICT: TURN IT UP

For further information go to http://www.turinbrakes.com/

Tame Impala - Innerspeaker

MINE

I wanted to like it, really I did.  This was picked as an Album of the Year for Aussie Youth Radio network Triple J, and I like to think I've got a bit of an insight into what those young people are on about.  No, seriously.  Stop snickering, you.

But all I could think while listening to this was - Beatles Rubber Soul and Revolver,  but without the variety the Fab Four managed on those albums.  Amped up a bit with some beats here and there, but essentially a bit hippy-trippy.  Which is alright for a song or two, but a whole album?  Nice dinner-party music, but that's about it.

VERDICT: TURN IT DOWN

YOURZ

Yet more proof that there is something in those isolated waters of Western Australia that keeps producing some of the best music in Australia. 

Citing a laundry list of influences, including Beck, Kyuss, Massive Attack, RZA and The Beatles (boy, are they covering all bases or what), Tame Impala are anything but locked into a single style.  Yet the cohesiveness of Innerspeaker, their debut album, is surprisingly strong, thanks to the overall production aesthetic   While it is definitely psychedelic, it also reminds me of some of the shoegazer bands around the late 80s and early 90s.

Listening to Lucidity, for instance, took me back to house parties, where most of us were floating from a cocktail of various fixings.  And the music, like Innerspeaker is to a new generation, was not just background but an integral part of the journey.  Maybe the fact I'm relatively straight and sober these days dulled my appreciation slightly but not by much.

There are treats of sharp, effected pop gems like Solitude Is Bliss and I Don't Really Mind as well as surprises like the sludgy psych-rock of The Bold Arrow Of Time.  And while I think the band could have done better with a name, I expect it will be one I'll be hearing of for some time to come. 

VERDICT: TURN IT UP

For more information go to http://www.tameimpala.com/

Nada Surf - High/Low

YOURZ

Released right in the middle of the 90s, it always seemed to me that Nada Surf provided the link between the sounds of grunge, the nerd-rock of bands like Weezer and the smart art-rock of Sonic Youth and others.  This despite their first single being a huge anthem to the downside of being the coolest kid at school with Popular.

Unfortunately, while High/Low has travelled the years very well and more recently has achieved recognition as a defining piece of music, this was a long time coming.  It didn't help that the band, full of promise, were completely hobbled by a relentless record company, Elektra, looking for a follow-up hit.  When the band presented their second album, the record company basically turned their back on them, letting the album languish until they eventually dropped the band.

While the centre-piece of High/Low is undoubtedly the single, it is so different to the rest of the album, the way it sticks out from the rest of the album is a bit like a sore thumb (I imagine the band probably feel the same way about the song too).  While there is not a dud track here, I particularly like Treehouse, The Plan, Sleep and the closer, Zen Brain.  Definitely a Forgotten Gem for me, so...

VERDICT: TURN IT UP

MINE

Of course I remembered Popular but I hadn't heard any of the rest of the album before, and I was pleasantly surprised.  Good fun, well put together, nice hooks - a shame the "long dark corridor" of the recording industry didn't treat them better.

But it got me thinking - wouldn't this be a great Glee episode?  They could do all those school-type songs.  How about adding in Teenage Dirtbag by Wheatus and of course Smells Like Teen Spirit? Then I guess we'd have to have Rock and Roll High School and Beck's Loser.  An episode about high school songs: an instant classic.

Anyway, I loved High/Low and I wasn't expecting to.  Yay!

VERDICT: TURN IT UP

For more information go to http://www.nadasurf.com/

Danger Mouse & Sparklehorse - Dark Night of the Soul

MINE

Mmph.  I really thought I was going to love this, given my previous delight at anything Dangermousy in the world.  I'll admit the songs are prettily composed and well played and everything, but it just didn't grab me.

I'd recommend it for dinner party music, though - there's lots of inoffensive melodies beautifully done.  I just didn't find it compelling.

VERDICT: TURN IT DOWN and pass the hors d'oeuvres 

YOURZ

It seems as though anything Brian Burton, aka Dangermouse, touches has an undeniable appeal to me.  His work with everyone from Damon Albarn, Beck and The Black Keys have become firm favourites.  Then he teamed up with Sparklehorse's Mark Linkous and an eclectic roster of singers and contributors, including film producer David Lynch.

The opening track Revenge, featuring the beautifully strained vocals of Flaming Lips' Wayne Coyne, sets a great benchmark for the rest of the album but only for the first three tracks.  It leads a trio of gorgeous alt-pop before changing gears with Julian Casablancas taking the lead in Little Girl, a bouncing dubby track complete with bass drops.

The following two tracks, the chugging Angel's Harp featuring Black Francis and Pain with vocals by somewhat subdued Mr Iggy Pop, add the rock quotient to the track listing.  After what could only be described as a Lynchian hommage to the psychedelic pop of everyone from The Beatles and Beach Boys to the Lips in Star Eyes (I Can't Catch It), is my favourite track of the album, Everytime I'm With You, voiced by Jason Lytle, formerly of Grandaddy.

However, I can't help feeling a sense of loss.  The death of Linkous prior to its release was a tragic blow.  If only as a testament to his abilities, Dark Night Of The Soul is as fine a document as any.  Vale Sparklehorse...

VERDICT: TURN IT UP

For more information: http://www.dnots.com/

Gnarls Barkley - St. Elsewhere

YOURZ

On another blog I write, I recently named Danger Mouse as my favourite producer of the decade.  Let's recap for the sake of the discussion: he started with the mashing of The Beatles' White Album and Jay Z's Black Album.  Whatever there is left to say about this, there is absolutely no denying its scope and genius. 

Then there's his production for The Gorillaz' Demon Days, undoubtedly a modern classic, The Good The Bad and The Queen's debut and for The Black Keys Attack and Release.  He rescued Beck's flagging career with his production of the under-rated but brilliant Modern Guilt.  He also added his weight to a staggering array of other projects.  His touch was not just golden, it almost guaranteed platinum success.  But it does make me wonder when he's had time to sleep in the last half dozen years or so?

St. Elsewhere came across as a breath of fresh air in pretty tired and hackneyed scene.  Like Katalyst, Gnarls Barkley paved their own way, relying on both fresh sounds and updates of old school ideals to bring something altogether new and uniquely their own but somehow also comforting and familiar.  Cee Lo continually hits the mark and astounds with his versatility.  From the gospel-on-steroids of the first track, appropriately called Go-Go Gadget Gospel (don't you just love a good piece of alliteration), the soaring chorus of Crazy, the loyal interpretation of Gone Daddy Gone, the pumping rhythm of Smiley Faces, the authentic modern soul of Online and so on, Danger Mouse pulls out all stops and Cee Lo meets it all head on.

I don't doubt Danger Mouse is going to continue to push himself and those he works with to achieve bigger, better and grander musical masterpieces, but as a standalone work, St. Elsewhere is a shimmering success and a constant delight.  Now, why don't we have The Odd Couple?

VERDICT: TURN IT UP

MINE

Okay, YourZ has said it all here - hail, hail Danger Mouse.

And I love this album with its high-class bop and classy lyrics.  But it's one of the slow songs that makes it really stand out for me.  I understand why YourZ hasn't name-checked Just A Thought - we've discussed together many times the fact he doesn't really understand depression (YourZ sez: I think I do have an understanding of it - had too many friends suffer it over the years not to have some small understanding) he's never experienced it (lucky bastard).  This song expresses depression perfectly - and the final lines are just exactly how I've felt when I've had my deepest depression and yet have tried to shake it off when around my nearest and dearest.

And so I've tried/ Everything but suicide/ But yes - it's crossed my mind/ But I'm fine

Getting out of that deep "Great Depression" isn't easy, and happens in different ways for different people.  Me, I favour counselling, diet, exercise, avoiding alcohol and drugs.  Others take different routes, and I say - whatever works.

I didn't mean to be all down about Gnarls - this CD has so many great songs on it I'm also wondering why we don't have The Odd Couple.

VERDICT:TURN IT UP

For more information: http://www.gnarlsbarkley.com/

Beck - Midnite Vultures

MINE

I must admit I was never much of a Beck fan before YourZ came along, and I'm still not really, although I do admire his musicianship. It's mostly because I don't really like his voice.

YourZ calls this "Beck's disco album" and I kind of agree, but I think I'd call it "Beck's annoying album" because it's just a bit too clever for me. Not that the tunes are bad or anything, but there's so MUCH in there! So many instruments, multi-tracking, sound effects, bells and whistles, you can't really get to grips with the music. In fact, it's like he snorted a whole bunch of coke in the studio and didn't know where to stop.

It's no Mellow Gold or Odelay - so I'd mark it as the album only for completists.

VERDICT: TURN IT DOWN

YOURZ

Bek David Campbell, aka Beck, is a musical pixie who sprinkles weird-ass instrumentation, samples and stream-of-consciousness lyrics throughout his releases like nose-candy for a drug-free generation. Personally, he's been a source of inspiration ever since I heard his first major release, Mellow Gold, 15 years ago. After this, there was the Grammy-winning Odelay, which saw him become one of the biggest artists in the world at the time.

Three years on from that, he released Midnite Vultures, his 7th studio album, where he channelled disco grooves by way of Bowie and Prince, tossed these with his eclectic instrumentations, assembled a massive crew of musicians, including Johnny Marr, Beth Orton and his producers of choice, the Dust Brothers, and came up with an indefinable musical melding as only he is capable of doing. A typical example of his eclecticism happens at the end of the first song, Sexx Laws, where he drops a banjo line into what's otherwise been a horn-laden piece of white soul.

I saw him live a few years after this album was released and he included a number of tracks in his set. He played up the disco elements of these tracks with some hokey b-boy dance moves and a lot of cheek. It still has to be one of the best live shows I’ve ever seen.

Not one of his best albums, but certainly not one of his worst, Midnite Vultures is still a great example of the eccentric world of the artist called Beck.

VERDICT: TURN IT UP (and boogie down, y’all)

Click here for more info: http://www.beck.com/

In our collection, we also have Mellow Gold, Stereopathic Soul Manure, One Foot In The Grave, Odelay, Sea Change, Guero, Guerolito, The Information and Modern Guilt.