Pulp - Different Class

MINE

I love this album - but I don't often listen to all of it.  That's because I love, love, love Common People, Disco 2000 and Sorted for E's and Wizz.  Now I will admit, Jarvis occasionally does that beat-poetry type singing - but not all the time, not all the way through the song, and he really can sing.  Like anything.

Pulp do that lovely electronica-guitar-dance-rock crossover stuff and were firm favourites when this came out, in 1995.  As I recall, I didn't actually buy this until a couple of years later.  It spent a lot of time in the CD player - but I will admit it's those three songs that get the most traffic.

I love the sardonic tones Jarvis gives to Common People, and the almost-fragility he imparts to lines in Sorted ('Cause I seem to have left an important part of my brain/ somewhere, somewhere in a field in Hampshire).  But Disco 2000 is my favourite.  I really, really wanted the DJ to play it for my 20th high school reunion 10 years ago, but the guy hadn't even heard of it.  Funny thing, next month is my 30th reunion.  But even though this time I have the job of putting together the music (I'm currently awash in bad late 70s-early80s pop) I don't think Disco 2000 has any relevance there any more.  Shame, because it's a damn good song.

VERDICT: TURN IT UP

YOURZ

I’ve never been much of a fan of Pulp.  They were kind of on the radar back in the early 90s due more to the people I was sharing a house with than anything else.  They were big fans of just about everything British.  To be honest, lead vocalist Jarvis Cocker’s mannerisms annoyed me. 

But Mine reintroduced them to me.  While I still couldn’t exactly call myself a fan, I do now have a bit more respect for them.  They were kind of lumped into the Brit Pop category, along with a whole swag of bands and maybe this was why I never had much interest.  I’ve always been a big Blur fan but not many other bands in that list cut it for me.

There are some good tracks on Different Class, no doubt.  I think Mine has probably mentioned these already.  And there are a few album tracks that remind me of the Bowie during his Aladdin Sane period, which is cool.  But am I the only one who thinks Cocker is a bit of a wanker?

VERDICT: TURN IT DOWN

For more information: http://www.pulppeople.plus.com/

Lush - Lovelife

MINE

Here we go, hanging out in Camden/ Drinking with my girlfriends on a Saturday night

Every time I think of this CD, the opening words to Ladykillers just run through my head on repeat.  I. Love. This. Album.  I used to have the chorus from Ladykillers as my email signoff.  Ciao! has gotten me through many a dark day.  Single Girl was me many a time.  If ever I'm feeling blue, Lovelife is certain to cheer me up.

Of course, the band came to an early end after this album, when their drummer committed suicide.  A point a recent commenter on an article in the Guardian about the death of former Stereophonics band member Stuart Cable chose to call "the curse of the 90's indie drummer" also mentioning Space and the Wonderstuff.  Kind of gruesome, but it makes you think...

VERDICT: TURN IT UP (I know the score I've heard it all before)

YOURZ

While Mine clearly has a great love for this album, I must confess that *gasp* I don't know it that well.  In the very early 90s, I had friends who were huge fans of just about everything 4AD (hi Nadine and Tim) but by the time this album came out, they'd moved away and I'd was more interested in lo-fi and slacker rock than the Brit-pop stylings of Lush.

But there was a time when shoegazer was a big thing with my friends and I and Lush, along with bands like Ride, Curve, Pale Saints, Charlatans, My Bloody Valentine and, particularly for me, Swervedriver (see our review of Mezcal Head here) were played and discussed with much fervour.  In fact, friendships were made and lost depending on which shoegazer band you liked or hated.  Such was our completely irrational, unfounded belief in the power of such bands.  (I'm feeling a little smug as the only survivors of that period were my favourite - Swervedriver.  Who's the cool one now, huh?)

For the most part, Lovelife lives up to its reputation for being one of the classic mid-90s British albums, with those gorgeous soaring harmonies and jangly-pop stylings.  I particularly like the opener, Ladykiller, Single Girl and the vaguely trip hoppy Last Night.  But the big surprise and the track of the album for me, is Ciao!, a duo between lead Lushette, Miki, and Pulp's Jarvis cocker.  Worth the price of the album, this one.

VERDICT: TURN IT UP particularly track 7

For more information: http://www.4ad.com/lush