Showing posts with label Groove Armada. Show all posts
Showing posts with label Groove Armada. Show all posts

Wednesday, September 22, 2010

Basement Jaxx - Kish Kash


YOURZ


Basement Jaxx is responsible for one of the creepiest, freakist music videos I've ever seen for the song Where's Your Head At from the album Rooty.  If you've not seen this, check it out here.  Its guaranteed to make you squirm.  Up until this track, I'd not really paid them much attention.  Mine, however, was a confirmed fan of their smart dance music.

Kish Kash, their third album, changed my view of them.  The single Good Luck, featuring the voice of Lisa Kekaula from The Bellrays, is an awesome slice of edgy soul/dance wrapped around a fantastic string arrangement and a huge beat.  The song makes me want to dance which is rare indeed.  And Lisa's voice is superb.

The album also features guest appearances from Meshell Ndegeocello, Dizzee Rascal, former N'Sync star JC Chasez and Siouxsie Sioux (from Siouxsie & The Banshees).  As much as I don't want to say it, the track Plug It In, featuring the former boyband member, is actually a great piece, coming off sounding every bit as good as anything fellow N'Sync Justin Timberlake has ever done.

Siouxsie Sioux's appearance on the track Cish Cash lends a punk authenticity to the grimy, driving beat, bringing her punk aesthetic firmly into the digital age and proving old punks don't mellow, they just give less of a shit.  But the real stars of Kish Kash are the Jaxx themselves, who weave a tight blend of melody and thumping beats together to create infinitely listenable, intelligent music.

VERDICT: TURN IT UP


MINE

The Jaxx.  Big Day Out, twice.  First in 2000 (when I went with a very young boy I was using for, um, entertainment and who annoyed me no end by being impatient when the Jaxx took forever to get sorted and started) and then again in 2002.  That time I sat next to a friend-of-a-friend who I'd never spent a lot of time talking to and had a really great conversation.  Lost both of them when I went off to the dance stage.  Married him later that year.

The Jaxx are terrific to see live, which can't be said of all dance acts, but has to be a prerequisite for the really great ones, like Prodigy and Chemical Brothers and Groove Armada.  Kish Kash, coming as it did in 2003 and after my marriage, hasn't spent as much time on the CD player as it's worth.  What it needs to do, is to go onto the gymPod and get a real workout.

VERDICT: TURN IT UP

For more information: http://www.basementjaxx.net/

In our collection we also have Remedy and Rooty

Tuesday, June 15, 2010

Groove Armada - Lovebox

MINE

Hmmm.... why don't I listen to this more?  Probably because generally when I think Groove Armada, I think Vertigo.  But there's some truly great songs on here, mostly the ones featuring the brittle vocals sampled from Sandy Denny (Fairport Convention).  I love GA's vocal samplings (the Patti Page sample on Vertigo is my song of the album) but Lovebox was perhaps a bit diverse in styling for me at the time it came out.  And that's because you can just put Vertigo on and forget about it, it's really cohesive.

But this has been languishing in the collection for too long, and must come out for some spins around while I've got my groove on.

VERDICT: TURN IT UP


YOURZ

There's something infinitely cool about British dance duos.  I don't know what it is and if I did, I probably would be in the sort of enviable position, musically, a lot of these people currently occupy.  And Groove Armada are one of the coolest, without a doubt.

Mine has mentioned Sandy Denny's vocals on Remember, a beautiful chilled number.  But Lovebox features real guest appearances as well as sampled voices. Groove Is On features both rapper Kriminul and Neneh Cherry, while the beautiful soulful voice of Richie Havens takes the lead on Hands Of Time.  On the opener Purple Haze, a guitar-driven piece, rapper Nappy Roots trades off against an unlikely but excellent Status Quo sample.

But the disappointment for me comes with the last quarter of the album, which slips into doofy dance territory and doesn't impress me in the slightest.  In fact, if it weren't for that the other three quarters of this album was so strong, I wouldn't have listened through these tracks.  I can't help wondering why the duo chose to end Lovebox this way, but it's disappointing.

VERDICT: TURN IT UP (until track nine, then change discs)


For further information go to: http://www.groovearmada.com/

In our collection we also have Vertigo and Soundboy Rock