Showing posts with label The Divinyls. Show all posts
Showing posts with label The Divinyls. Show all posts

Thursday, January 27, 2011

Forays Into Forgotten Vinyl - Vinyl Tidings

YOURZ

Mine and YourZ truly were weaned on a diet of flat black plastic growing up.  As we moved from teen petulance to young adult… well, erm, petulance, our vinyl collections were suddenly usurped by digital interlopers called CDs.  Because we (and yes, I have the courage, in this instance, to speak for both of us) are attracted by bright shiny things, our poor vinyl collections were superseded.  

Also out were the good old reliable turntables, replaced first by CD players then by DVD players.  We loved the new technology because we could pogo, mosh and/or bump'n'grind in front of the stereo without any fear of a causing a skip, jump or scratch.

Unlike most, however, we couldn’t let go of our albums.  When we combined households years ago, we both dragged two crates of records into the mix as well.  We used the full as speaker stands but found the more we looked at them, the more we longed for a record player.

Then late last year, Mine purchased, for a modest price, a Technics SL-D2 direct drive turntable (which apparently was considered quite good in its day).  Soon after, she also got a great preamp as a Christmas present. And this is where the music part of this post starts.

Christmas Day, instead of traditional carols, we played every single Midnight Oil album and the one single we owned.  It was like listening to a time machine, a powerful reminder of days gone by.  We listened to lots of other music too - The Flowers, Divinyls, John Kennedy, Paul Kelly, The Hollowmen and INXS, to name just the Australian acts (or at least those we could remember - we had a very jolly Christmas).  But it was Midnight Oil who ruled the day.  

We started with Place Without A Postcard, followed by Head Injuries, then 10, 9, 8..., Red Sails In The Sunset and the Power And The Passion single with a dub version on the B side - not necessarily in the right chronological order, but close.  As I listened, I felt connected with a time when life was stretched way out in front of me, brimming with all sorts of possibilities.  It teased me with the exuberance of youth I no longer have while reminding me of how good I have it now.  It was also the perfect way to spend a Christmas Day with the one I love.

VERDICT: Vital


MINE

While many of my friends and acquaintances have chosen to throw away their vinyl collection, I've never been able to my records go.  While more and more old music is re-released on CD and for download, many of the albums I loved in my youth miss out.  So for some time now, I've trawled the pages of eBay looking for my holy grail - a Direct Drive turntable in good condition at a reasonable price.

I have to confess that I bought this particular model because it was one I'd used before.  In fact, when my first husband bought it sometime in the late 70s it was very expensive and state-of-the-art.  I love the fact that it has a series of black lines on the side of the platen - so you can adjust the speed for pin-point 33 and 45 rpm speeds.

When I first bought it, we went in search of a phono preamp and picked one up for a very small sum.  Be warned, cheap preamps aren't worth the cash, and we abandoned our first vinyl session pretty quickly after finding a bass hum - probably because it wasn't earthed.  But Christmas Day dawned and the first crisp, clear notes rang out.  As did the hisses and crackles from long-ago times, and the odd jump as we re-learned to tip-toe past the turntable. (Do you have the same song in your head that I do?)

What I thought was remarkable about the rest of that day wasn't that we chose to play all our Midnight Oil (come on, Peter Garrett is our federal MP!) but that there were very few arguments about what we were going to play.  We pulled out lots of albums, scattered them all around the room and had a hoot of a time.  We danced (well, I danced), sang and generally carried on as if we were 20 years younger.

More please.

VERDICT: Vital

Tuesday, November 2, 2010

Pretenders - Pretenders


MINE

In the same way as the pouty sneer of Debbie Harry told the teenage me girls could legitimately front a rock band, the spiky sneer of Chrissie Hynde told me you didn't have to be a blonde to do it.  But for some reason I ended up with Parellel Lines on vinyl and not Pretenders - probably due to teenage budgetary restrictions more than anything else.

I missed out on seeing the band when they toured Australia in early 1984, when she and Jim Kerr from Simple Minds first got together at the Narara music festival, as I was overseas at the time.  But I remember seeing them in 1986 at the Brisbane Festival Hall, a massive venue, I think supported by Do Re Mi in what would have been a meeting of angular-faced brunettes!  Pretenders were electrifying, despite the relatively early hour for a concert - mid-afternoon, as I recall, due to the at-the-time laws about having people leaving a venue late at night.  Ah, Queensland in the 80s - it truly was another country.

We only got this CD a short time ago, and I've really enjoyed having it around.  We have Learning to Crawl on vinyl (two copies, I think) and I'm also looking forward to hearing that again shortly.  Yes, we finally did it - bought a turntable!  Anyway, I love Chrissy's trademark voice, those choppy, jangly guitar sounds - I love this album, raw and untried as they were.

VERDICT: TURN IT UP


YOURZ

In 1980, thanks to the wonderful music show Countdown, I was first introduced to the Pretenders by way of their first hit in Australia, Brass In Pocket.  The video featured a suitably attired Chrissy Hynde as a waitress in a grimy cafe and looking all kohl-eyed and sexy.  It was fuel for a punk lad's fire.

It wasn't until a couple of years later, when I was earning my own money, that I went and got Pretenders and the imaginatively-titled followup, Pretenders II.  Both albums became some of my favourites, particularly when cruising around in my old Chevy.  In fact, it kind of became a battle of the Chrissys as I was also a big fan of The Divinyls around the same time.  Both Chrissy Hynde and Chrissie Amphlett were two women who not only looked suitably punk and sexy at the same time, but could hold their own in a rock band. 

There's a lot to like about this album.  The cover of The Kinks Stop Your Sobbing is better than the original, in my opinion.  And tracks like Precious, Kid, Private Life and Mystery Achievement (all personal favorites) not only proved Hynde could write great songs but added a more dynamic feminine perspective to the mostly male-dominated punk scene.  But best of all, Pretenders still sounds as good today as it did when it first came out.

VERDICT: TURN IT UP


For more information go to http://www.thepretenders.com/