Black Sabbath - Paranoid

YOURZ

Heh, this was the shit when I was a lad.  So bad, in fact, I dared not speak the band's name around my conservative Catholic mother.  Status Quo was fine, AC/DC were okay and even KISS got past her.  But I had to rely on friends copies this classic in order to hear it.  

I remember sitting on the front steps of my mate Mick's place after a long summer afternoon, sharing a sneaky cigarette and listening to music on his Dad's quadraphonic system.  This was one of the LPs we'd listen to then and listening now takes me right back there.  

I love that this record still makes me headbang even though I hardly have the long locks of youth to flay around like I used to do.  It is, without a doubt, my favourite type of metal.  And while there have been so many great bands after them and despite Ozzy parading his tragic family in front of television cameras for the world to see, there will only ever be one Black Sabbath. 

VERDICT: TURN IT UP

MINE

So, when I was about 15 or so, there was a group of girls I went to school with and we used to get together every couple of weeks to smoke weed.  We'd meet up at Bernie's place, more often than not, because she used to hold for us (plus we were buying the stuff off her brother) and we'd smoke and eat (her mother was the most amazing baker of pies) and play records.  Mostly her brother's records.  So there was Dark Side of the Moon and Kiss and Sabbath Bloody Sabbath.

Then many years later there was a TV show called The Osbournes which both delighted and horrified me.  And now there's re-listening to Paranoid, which made me realise, he had an amazing voice, didn't he?  But apart from War Pigs (nearly eight minutes, that takes balls for an opening number) and Paranoid, I don't really know this album at all.  And it's not really my kind of thing.  But we need this in out collection.  Gives us gravitas, I think.

VERDICT: TURN IT DOWN

For more information: http://en.wikipedia.org/wiki/Black_Sabbath but there's a bunch of fan sites, too

Jet - Get Born

YOURZ

The deliciously derivative debut from Aussies Jet took the band to the metaphorical heights of the rock industry with tracks Are You Gonna Be My Girl and Rollover DJ.  As an album, it's further proof that the world loves and regularly needs big fat, classic-sounding rock to feed its insatiable, beer-swillling, devil-horns throwing hands-in-the-air needs.

Oh yeah, it sounds like just about any rock and roll outfit of the last 30 or so years.  And they haven't been able to repeat the success of this album.  But so what?  Who gives a fuck?  This is foot-to-the-floor, flatout rock except when it resorts to rock balladry.  But either way, it's well-played, well-polished and absolutely necessary.

VERDICT: TURN IT UP

MINE

A few days ago I was listening to the radio when the announcer was sounding off about Jet's new release - which he said was the same as all their others - ripping off classic rock riffs.  He then played a few songs to prove his point.  I remember thinking at the time - bitter much?  I mean there he is, playing tunes on a Sydney radio station that less than five per cent of the city's population listens to (according to the latest Nielsen survey) and there they are, at the start of a 33-gig national tour supporting Aussie legends Powderfinger.  I know who I'd rather be.

But I'll concede the announcer had a point, after listening to this album all the way through today.  That's something I haven't really done, becasue I put most of it on the gymPod (a Shuffle) when I first got it so I've generally only heard the songs by themselves.

So let's play the game!  Well, you can see just from the album cover this band is screaming "rip-off", as it closely resembles the artwork on the cover of The Beatles' Revolver (reviewed just a few days ago.)  Last Chance is an AC/DC riff, we all know Are You Gonna Be My Girl is Iggy Pop, while I hear some Status Quo on Roll Over DJ.  Look What You've Done is very Beatles, but with a hint of Oasis (made a fool of everyone?) and then Get What You Need moves back to a Quo-ishness.  Move On is somewhere between the Eagles and Neil Young, while Radio Song confused me because I couldn't pin it down.  Get Me Outta Here and Cold Hard Bitch are AC/DC all over, Come Around Again has has a West Coast feel (Henley?) Take It or Leave It is sorta Zeppelin, Lazy Gun is weird because it goes between T Rex and Pink Floyd (who knew that could work in a mash-up?) and then Timothy is definitely Floyd.

Wasn't that fun?  Ah, come on, Jet are everybody's favourite covers band playing their own songs.  Don't you think?

VERDICT: TURN IT UP

For more information: http://www.jettheband.com/

Groove Armada - Lovebox

MINE

Hmmm.... why don't I listen to this more?  Probably because generally when I think Groove Armada, I think Vertigo.  But there's some truly great songs on here, mostly the ones featuring the brittle vocals sampled from Sandy Denny (Fairport Convention).  I love GA's vocal samplings (the Patti Page sample on Vertigo is my song of the album) but Lovebox was perhaps a bit diverse in styling for me at the time it came out.  And that's because you can just put Vertigo on and forget about it, it's really cohesive.

But this has been languishing in the collection for too long, and must come out for some spins around while I've got my groove on.

VERDICT: TURN IT UP

YOURZ

There's something infinitely cool about British dance duos.  I don't know what it is and if I did, I probably would be in the sort of enviable position, musically, a lot of these people currently occupy.  And Groove Armada are one of the coolest, without a doubt.

Mine has mentioned Sandy Denny's vocals on Remember, a beautiful chilled number.  But Lovebox features real guest appearances as well as sampled voices. Groove Is On features both rapper Kriminul and Neneh Cherry, while the beautiful soulful voice of Richie Havens takes the lead on Hands Of Time.  On the opener Purple Haze, a guitar-driven piece, rapper Nappy Roots trades off against an unlikely but excellent Status Quo sample.

But the disappointment for me comes with the last quarter of the album, which slips into doofy dance territory and doesn't impress me in the slightest.  In fact, if it weren't for that the other three quarters of this album was so strong, I wouldn't have listened through these tracks.  I can't help wondering why the duo chose to end Lovebox this way, but it's disappointing.

VERDICT: TURN IT UP (until track nine, then change discs)

For further information go to: http://www.groovearmada.com/

In our collection we also have Vertigo and Soundboy Rock

Queen - Greatest Hits II

MINE

In our collection, there's a disturbing amount of Queen.  And there's a reason for this.  In my previous incarnation as a creator of radio programming, I once put together a series of vignettes for the Queen's Birthday holiday here in Australia.  This involved sections of interviews with the various members of Queen plus other celebrities, all taking about Queen songs, to be played in front of a Queen song.  And in order to do this, I rang up the record company distributing their music, and received - free - their entire back catalogue of greatest hits.

So it's not entirely strange that the pointy stick hit on Queen.  What is strange is that I've kept all of this.  Especially this one, which has only a few songs to recommend it.  I really disturbed myself by singing along to I Want It All  and I Want To Break Free - but I've always loved Radio Ga Ga.  Go figure.  Anyhoo, time to keep the songs we like, and dump the rest.  I'm sure there'll be no argument from YourZ.  Although the Live At Wembley CD is pretty good.

VERDICT:THROW IT OUT

YOURZ

There's no mistaking that voice, being one of the most recognisable in the world.  Ah Freddy, I can't help wonder what you'd be singing today

Freddy built his career on his operatic range and grand sweeping gestures, which so suited the stadium rock the rest of Queen built behind him.  They've been part of my life since I first heard Night At The Opera in the late 70s, a favourite album of my best friend at the time.  While I would try to get him to share my love of Status Quo, Deep Purple, Zeppelin, Kiss and Cheap Trick, he would try to do the same with Queen (and Nazareth, if I remember rightly).  But it never really took.

Don't get me wrong, though.  I really like Queen a lot.  I've just never owned any of their albums.  What I have owned, over the years, is a succession of the same edition of Queens Greatest Hits (isn't there an old joke about if you leave a cassette in a glove box long enough it will morph into Queens Greatest Hits?). (Mine says: either Ben Elton or Douglas Adams came up with that, can't remember).  As Mine has pointed out, we have a lot of Queen in the collection.  The bugger is the pointy stick landed on this one, instead of Greatest Hits I, which has what I consider to be their best songs.

Oh yes, this does have Under Pressure, with that bass line (ice ice baby...) and Radio Gaga, which apparently inspired Lady Gaga's name, if you believe the hype.  It also has I Want To Break Free, which caused my friends and I no end of amusement when it first came out not because of the campy video that accompanied it but for the overwhelming presence of Freddy's lisp.  Just picture the scene, if you will, of the rest of Queen sitting around in the studio, trying not to laugh as he sings 'I want to bwake fwee, I want to bwake fwee...' and see if you don't laugh too.  Puerile, I know, but I've never said I wasn't.

Anyway, I agree with Mine on this one.  I don't recognise most of the songs on this collection and there's far too much bad 80s reverb on the drums of most of these tracks for my liking.  Let's get rid of the chaff and keep the wheat.

VERDICT: THROW IT OUT

For more information: http://www.queenonline.com/

In our collection we also have: Greatest Hits, Greatest Hits III, Made in Heaven and Live At Wembley '86