Showing posts with label The Eels. Show all posts
Showing posts with label The Eels. Show all posts

Tuesday, October 26, 2010

The Eels - Meet the Eels


YOURZ

Despite the title of this collection, I met the Eels way back when they released their first album, Beautiful Freak.  The Eels, aka Mark 'E' Everett, are another of those artists whose CDs have disappeared out of my collection over the years, damn it all.  I bought Meet The Eels as I missed tracks from the first three albums like Flyswatter, Susan's House and Mr. E's Beautiful Blues.  Then there's I Like Birds, which includes one of my favourite couplets:


If you're small and on a search, 
I've got a feeder for you to perch on

But it's the tracks from Eels fourth album, Souljacker, that really rock my boat, despite it being in the collection.  First up is the very Stooges-inspired Souljacker Part 1, followed by That's Not Really Funny and another desert island mixed tape song, Fresh Feeling - there is something about it that makes me smile every time I hear it.

What follows is his cover of Missy Elliott's Get Ur Freak On, both relevant and inspired.  I really don't know if he's taking the piss or what, but I don't care.  He has a history of fucking with audiences who request 'the hits', so I wouldn't be surprised.  If you haven't seen or heard about when he invited Afroman to sing his hit song Because I Got High, on stage at a show in Vienna, check it out here.  Afroman never sounded better.

The rest of the collection (it's a long one too, at 24 tracks) are from albums I'm not familiar with but have resolved, having fallen for the latter tracks like Dirty Girl, Hey Man (Now You're Really Living) and the tragically beautiful I'm Going To Stop Pretending That I Didn't Break Your Heart.  This is pure genius and we have to add another few more discs to our collection.  In this case, I'm sure we won't ever be disappointed.  

VERDICT: TURN IT UP and put it on repeat


MINE

For some reason when YourZ added his CD collection to mine, I came in with a preconceived notion that The Eels were some sort of prog/jazz/instrumental/ambient outfit.  No, seriously.  I didn't even try to listen to Souljacker, which was the only album of theirs that originally made it into Chez YourZenMine.  For - oh, about three or four years, if you can believe that.  How wrong was I.

This collection (and it's a long one, let me tell you) is full of some of the most beautiful indie-pop I've ever heard.  YourZ has gushed enough about it that I don't really need to, but I want to anyway!  I mean he does do a fair bit of button-pushing in the studio - but not on every track.  He doesn't cloud his songs with effects, he just adds the merest dash here and there - like a delicate seasoning bringing out the real flavour of each song.

He knows well enough to employ some great musicians.  He'll do stripped-back when he wants to.  And his lyrics are a complete delight.  I mean, I guess I can understand why he's not better-known - I mean the world thinks Coldplay and Celine Dion are pretty cool - but this stuff is, as my dear husband has said, pure genius.  As much as we can have in our collection will never be too much.

VERDICT: TURN IT UP


For more information http://www.eelstheband.com/

In our collection, we also have: Souljacker

Saturday, October 16, 2010

Machine Translations - Happy

YOURZ

Oh, it has been so long since I listened to this album.  For that reason alone, it has to be a Forgotten Gem, but it is so much more, believe me.

I don’t know how to describe J Walker, the man behind and responsible for the wondrous world of Machine Translations.  For all you international readers (hi there, friends), the best way I can put this is that J is the Australian version of Eel’s main man, Mark Everett, or E, as he is known.  The only difference is that J doesn’t seem to be as bogged down in bleakness as E often admits to being.

Happy, Walker’s fifth full length outing, continues his mostly-alone forays into the spaces between pop and folk.  He enlists various key players along the way to help paint his sound-scapes, but more so, it is his abilities as a multi-instrumentalist and the often unusual instruments that carry the songs.

I know this might sound obvious but while listening to Happy, I can’t help but smile.  Its not because the music is overly upbeat (some of its anything but) or is filled with great hooks (which it is) but it is the overall ambience.  This is pure pop magnificence.  Why we only have this album, though, is something we need to address, Mine.

VERDICT: TURN IT UP


MINE

I can't call it a Forgotten Gem, but I can call it a "Why haven't we got more of him?"  When we first got Happy it was barely off the CD player.  And it makes its way back there semi-regularly, but now my brief foray into research shows there are more albums!  New albums!  Begging to be bought!

Now, how can I explain my enthusiasm.  I guess MT falls into the realm of stripped-back artists we love like M Ward... but also of experimental soundscapers like Sigur Ros.  There are pure pop moments and other where the man behind the band - J Walker - has definitely gone mad with the buttons and loops.  But even so, it's all good.  Really.  All of it!  Especially She Wears A Mask which is so damn hummable it's been chasing me around all day.

Don't take my word for it, watch Amnesia.  Then buy the album.  And all his others, because that's what I intend we should do ASAP.  If we did it for M Ward, we should do it for J Walker.  (YourZ sez: great minds think alike, my love)

VERDICT: TURN IT UP